Now that spring is really underway, we see growth and reawakening all around us. I am using all the renewal and energy that the season brings with it as inspiration for my artwork. It is time to bring on the new colors and techniques - different subject matter and materials. Using new paints on a different ground automatically stimulates the imagination and leads to new and interesting discoveries. Fun!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2HPfKjncbsamUN64jqkTVQL7YoKgK6nIIi2OocSsyrzjYI6vjZoP4zjGw-Xe_XwRIdT6pXWyolDowlDGIqpysRFUEJlrPtlsWq8LN1S9gsEUHVi1dgNa0RahwH-kh2HqA9ZuPPDqb-a9s/s320/painting%252Cwritingmusic.jpgsmall.jpg) |
Painting, Writing, Composing |
This one was a real challenge, being much larger than my usual watercolor papers and definitely outside my comfort zone - mixed media on a sheet of heavy, brown paper, 70x100 cm. The first layer is a collage of old sheet music (please forgive me for tearing music apart, but it all is for the sake of art) and India ink; succeeding layers are acrylic; brushed, printed and sprayed; graphite, acrylic ink and a bit more India ink applied with a bamboo pen.
Then, while the paint was still figuratively wet on this piece, I started a series of very small, postcard sized works to challenge my imagination in the other direction. These are mostly oil paints monoprinted onto washi paper (a very thin, tissue-like oriental paper traditionally used for sumi-e and calligraphy). Of the 17 pieces that I made, here are a few of my favorites - some with a few extra brushstrokes and bits of collage to round out the compositions.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidSP3pX-cVliREi_ySB-RrdE9PN3qZMJIcTuNruRx7rshqabk__kTtX23oMmQyMa3MG5yaAhEPlz8SSDVPrj8gva0GXd1Xsgx85Uk5MpmLz-s0cAC6M3KGRDQHcgIgnxyjKT9wy-jELnEG/s320/japanese+dreams.jpg) |
Japanese Dreams |
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Paper Dreams |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf-gNLZPHf3s8hSSicv4VrdElEAVUcNdUvsJVHdqRryWcwM3uu2J9ArRRKGOqLGNAPSee7y2KX1uOsdIOUaxzztRw0I8DzGpvkX7n8-bT0JjHPrzbVRxxw9455qzWM1D728H_SA0GknNlP/s320/crazy+fiddle.jpg) |
Crazy Fiddle |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGYBwdkqssbRrqtGA30ZuQSE283fxIX2HLTn2Gt5sUJ-ij4tOd0tAeqAGnSu3o6x6FZUxg-dZMmAwziihClC7hOFjNAu_kycLHadI8oBZWh1cAYQkqaMmZan3MmCaDZmIbHfGP2TNCNvuI/s320/crazy+sax.jpg) |
Crazy Sax |
My musical accompaniment for all this color chaos has also been equally mixed. While I was working on the large format (we were a group of eight exploring the theme of "Workplace - between action and standstill"), there was tango music as inspiration. Here is a small tidbit, performed by friends of mine here in the Philharmonie, Berlin.
https://www.youtube.com/watch?v=kHfkYgh4PS0 .
To complete the week of contrasting experimentation, my musical choice here at home has been Mozart (again). Last weekend I was part of a performance of the G minor Symphony, Nr. 40. No matter how many times I have played this piece of music over the years, it's charm and genius haven't lessened. I love being surrounded by those sounds. We had a Viennese conductor, so the interpretation was definitely different than one expects here in Berlin. Appropriately, though, I wasn't surprised to find that this older Harnoncourt version was very much like ours.
My thought for the day came from a lovely print I found in a gift shop at the Detroit airport, where I was trying my best to stay awake and constructively use my waiting time . . .
"Most people don't know that there are angels whose only job is to make sure you don't get too comfortable and fall asleep and miss your life."
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